The Action Research Laboratory
Page Seven
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The Realities of Being a Student in a Constructivist Classroom

 

Joseph C. Senese

Highland Park High School 


A paper presented at the

American Educational Research Association Annual Meeting

New Orleans, April 24-28, 2000  

 

Objectives
The Experience
Methods and Data Sources
Findings

Satisfaction Ratings
Comparisons
Attendance
Grades
Course Objectives

Recommendations
References
Expectations

 

Objectives  

Although constructivism as an approach to learning has been around for awhile, the ways in which teachers move to employ constructivist principles in their classes have been slow and evolutionary (Brooks and Brooks 1993). Constructivist teaching requires a significant and deep change in teaching philosophy (Caine and Caine 1997a). A single-semester 12th grade elective English class in British literature became the testing ground to see what effect the consistent and total application of constructivist principles would have on student learning. The class was designed to employ the principles of constructivism in every aspect: course objectives, design, and processes. The expectation was that students would take charge of their own learning.  

The Experience  

As much as possible, the class was given over to the students. The only directive they were given at the start of the first session was that they were going to create a curriculum for a one-semester high school elective class in British literature. The excitement was palpable as students created their own list of behavioral expectations for the class (See appendix, “Expectations”). In order to transfer the emphasis from getting a good grade to learning, I informed students that there would be no tests or quizzes. Although they would receive a quarter and a semester grade, I would not put a number or letter grade on any of their work. Rather, I would give reactions to or feedback on their written work (if they requested it), and our principal communication would take place in quarterly conferences and in informal conversations.  

In a letter sent home (See References, “Letter to Parents,” <http://www. d113.lake.k12.il.us/hphs/curriculum/senese/index.html>) as well as at the school Open House, I shared information with parents about the structure of the class and the theories supporting it. I deduced that the parents were supportive of the reasons for fashioning a class based on constructivist principles because they expressed the wish that more teachers would take this direction.  

The students’ enthusiasm bubbled over in the first few days. The novelty of the experience clearly excited and intrigued them. Incongruously, I predicted to them that they would eventually get angry at me for not “teaching” them. As appealing as the prospect of de-emphasizing grades, choosing their own literature to read, creating their own assignments, and organizing themselves into productive teams might be, those things all required added responsibility. In fact, students did become disenchanted with the class at about the midpoint of first quarter.  

The semester began with students spending several class periods talking about their experiences in high school. In week one they read an essay recently published in Harper’s Magazine by Francine Prose about the sorry state of high school English curricula (Prose 1999). We discussed the essay for several days, and each student ended up writing Ms. Prose a response, the best three of which we submitted to Harper’s.  

In our discussions, students revealed how well they had learned to “play the game” of school. They had learned to answer essay questions on tests according to a teacher’s expressed political agenda. They had learned how to write to please one English teacher only to find that the next year’s teacher did not subscribe to that method or style of composition. They had, in short, learned to jump through hoops based on teacher likes and dislikes. They had learned what they were told was important to learn. This class, then, was a jolt for them, and I accepted that they would have a period of adjustment after a career of taking the lead from their teachers.  

For me, the most pressing difficulty throughout the semester was determining how loose a structure these students could comfortably work in without losing them. In retrospect I allowed them to flounder too long at the start of the semester. I had surmised that they would know how to organize themselves into teams according to interests and that the class would naturally flow from that. It did not work quite that smoothly.  

After our initial discussions about what an English curriculum might look like, we focused our attention on British literature. Adapting a technique from problem-based learning (Know, Need to Know, Need to Do), students in small groups created charts of what they knew about British literature, what they needed to know, and what they would do to get that knowledge. It is at this juncture that I fault myself for allowing them to stagnate. Students amassed information about British literature and authors from the Internet (their favorite research tool by far), but without a framework in which to put this information, they did not know how to make sense of it.  

Always hopeful that they would chose a simple means to organize themselves (and even offering suggestions about how to do that), I stood aside each day and witnessed their wrangling. In retrospect students would probably say that they floundered for an entire quarter, but the indecision lasted about two weeks. During that time, students came to class each day and argued about how to organize themselves, how to choose a piece of literature, how to get started, and how to act as a team. Early on I had given a suggestion of how to do that easily, but, like everyone else’s ideas, it got lost the very next day. And so we entered our private vicious circle of not being able to move forward. At the end of the third week, I stepped in and forced them to choose a piece of literature that we would all read. I would act the “teacher” and construct daily lessons for them, but this would only be the starting point, a way to give us the push we needed. It would also indicate to me their skills in English. They gladly agreed.  

They chose to read “Heart of Darkness” by Joseph Conrad, one of the densest pieces of 20th century British literature. They had chosen it because it was the shortest book on a list independently researched and compiled by one of the students. During our first venture into British literature, I conducted the class each day, structuring discussions, providing assistance, but also leaving them to reach their own interpretations of the literature. Students set their own deadlines (as a class) and shared their various reactions to Joseph Conrad’s masterpiece. In this fashion we read a piece of literature together, and students experienced testing out personal interpretations without being hampered (or helped) by a teacher. They still had not learned to organize themselves into groups.  

To assist in that regard (and because they had exhibited a fear of tackling poetry), I had them form their own groups, each choosing one of five Romantic poets. The group researched their poet, read as much of his poetry as possible, and selected representative pieces of his work. After discussing the poetry, each group member wrote a position paper about that poet, recommending whether or not to include him in the curriculum, sharing those conclusions with the whole class. In order to demonstrate that they could learn from people other than their teacher, I required that students send their papers to at least one professor of English at any university. To improve their chances of getting a response, many of them chose to send their essay to several professors. I have to admit that I was surprised that about one-third of them received responses, many longer than the original paper. There was a buzz at receiving a response. Students then reported their findings to the rest of the class. The curriculum started to take shape. Students recommended including four of the Romantic poets in their curriculum.  

After those two experiences with literature (which took about five weeks), students were in a better position to elect a piece of literature that they wanted to read. Students easily formed groups based on the literature they had chosen: a Shakespearean play, Brave New World, Wuthering Heights, Jude the Obscure, Hard Times, Pride and Prejudice, or various pieces of non-fiction. Students set up their own reading schedules (which were constantly extended) and decided on the kinds of support they needed to understand the literature. More often than not, they chose to structure themselves and their work in the ways that had been modeled for them in school. Typically students would read at night and discuss last night’s “assignment” in class the next day. Sometimes they chose to read in class. I had to prod them to try some other methods for learning about the literature, such as listening to audiotapes, watching videotapes, checking literary criticism, or reading aloud.  

In the end, we had to spend a class period discovering what to do when you don’t know what to do (See References,“What do you do when you don’t know what to do?” <http://www. d113.lake.k12.il.us/hphs/curriculum/senese/index.html>). We posted their suggestions on the wall of the classroom for reference. The lesson was obvious: students needed assistance in learning how to problem-solve. They sometimes claimed that they could not understand a detail in the literature or that they were stymied in their work, but they had difficulty coming up with ways of addressing those elementary problems. Consequently, effective ways of taking informed actions became a focus of the class.  

The class proceeded this way for the rest of the semester. Students formed their own reading groups based on a piece of literature that they wanted to read. During class each day, students decided what they needed to do and how to do it. Most often, especially as the semester wore on, they chose to work in other parts of the building, sometimes meeting, writing, researching, or even reading. I was also aware that many students used the freedom of unstructured class time to play computer games, complete homework for other classes, and socialize.  

In the final month of the course, students divided into groups to assemble the curriculum that they were proposing for this class. They appointed themselves to one or two committees: curriculum, editing, Internet, and presentation. They decided that they needed to describe the curriculum that they had created, to edit the work that they had produced to support that curriculum, and to publish their curriculum and supporting evidence on a dedicated Internet website.  

Many classes began with a general discussion about the upcoming presentation or requirements for publication on their Internet website before students dispersed. Students most often led these discussions by spontaneously popping up to direct the interactions. Different students took leadership roles throughout the semester, one student taking a more prominent role one time, then retreating to the background and letting someone else lead.  

The list of literature chosen this way appears on the website that describes the course that the students had written (See “Curriculum,” <http://www.d113.lake.k12.il.us/hphs/ curriculum/senese/index. html>). As the chart of literature choices expanded, some students took it upon themselves to “fill in the holes.” They chose to read poetry or plays in areas that had few or no pieces of literature listed. Their design for the class next year seems to be a direct result of what students felt was lacking in their experience this year (See Curriculum, “How to use the curriculum,” http://www.d113.lake.k12.il.us/hphs/ curriculum/senese/ index.html).

The culminating product of the semester’s work is the curriculum published on the Internet website (See “Curriculum,” <http://d113.lake.k12.il.us/hphs/curriculum/senese/ index.html>). The website describes the curriculum and the instructional choices that students in a class would have. Students also created summaries of the literature they included in their curriculum and sometimes created study guide questions, provided resources, and suggested writing assignments.  

On the day set aside for a final examination, students met to rehearse their final exhibition. They then presented their curriculum to a panel of invited guests including university professors, teachers of English from several high schools, and administrators with backgrounds in teaching English. Students took turns presenting various aspects of the curriculum including the history behind the project, the choices they made, and their reactions to their experience. The audio version of their entire presentation can be found at the website (See “Presentation,” <http://d113.lake.k12.il.us/hphs/presentation/senese/ index.html>). They asked the guests for oral and written feedback on their work.  

Methods and Data Sources  

For this elective English class, I put into practice beliefs about learners based on constructivist principles: ownership of content, choice of methods for learning and assessment, useful activities based on personal goals and beliefs, shared inquiry, social processes, reflection on learning practices as well as content, and production of varied and rich outcomes. Progress towards the objectives was measured through student writing, surveys, focused conferences, parent responses, grade distributions, and attendance records. Outside assessors were used throughout the process to gauge student progress.  

Findings  

Satisfaction Ratings  

Student satisfaction in learning in an atmosphere that allowed them to construct their own meaning through personal learning was generally high. Students expressed a strong appreciation for taking charge of their learning and sometimes exhibited more ownership of their learning.  

In end-of-semester surveys, 16 of 23 students (70%) mentioned that they most enjoyed or appreciated the freedom that the class gave them to direct their own learning. Clearly they took to the basis of constructivism: constructing their own meaning in their own ways. Students, in this same survey, listed what they had gained from the class. They were able to name the literature they had read, secondary sources they used to illuminate the literature, and the writing they had done. They also made specific references to the use of technology for learning and communicating, a goal of all English curricula at the high school. This student in particular was able to articulate how she gradually began to appreciate the larger goals of the program:  

There is an accomplishment that I got from this class that can’t be spoken for by such tangible things like those I have previously listed. In fact, it’s rather had to explain. The best I can tell you is that I just clicked; I got the gist of learning for yourself, I felt the pride in doing something without the lure of the grade hanging like a carrot in front of my nose, I came up with ideas and solutions. I refined them with classmates, and we made them work. It has been said that our curriculum is a living document; one that will go on and be revised and reworked and hopefully appreciated by many. The curriculum was just a project when I first started, but once I understood the greater idea behind the class, it had a pulse. The pride I feel from doing that is far greater than that of a good grade, it is the type of pride and sense of accomplishment that will propel me through life and bring me an overall sense of happiness. That, to me, is success.

Her ability to intuit an understanding of the constructivist principles as applied in creating this curriculum speaks loudly to the significance of this learning theory. Not all students, however, had this experience. A minority of students (2 students or 9% of the class) rated their experience very low (below 5 on a scale of 1 to 10), complaining of a lack of direction and frustration with their classmates and the teacher.  

Comparisons  

Based on the results of two surveys, one in which students rated their previous English classes in high school and another in which they rated this English class on a five point scale, thirteen students (59%) evaluated British Literature with a higher score than their general English class experience. Seven students (32%) rated this experience lower than previous English classes. Of those seven students, only two rated this experience more than two grades lower than their previous English classes. The difference between the scores from the other five students was of a small margin (one or two grades lower). Two students (9%) rated the two experiences as the same.  

A statistical analysis compared the students’ rating of their previous English classes in high school at the start of the year to their final rating of this English class. The Wilcoxon Matched-Pairs Signed-Ranks Test showed no significant difference between the rating assigned to English courses in general and this course. The differences between the ratings cannot be called statistically significant. I do presume, then, that students did not find being in a teacher-researcher’s classroom to be a significantly better or worse experience from any other English courses they have taken.  

Attendance  

I had surmised that if interest were high, student attendance (notoriously bad for high school seniors) would improve. Attendance seemed to be poor when the record for the class is considered (on average, 10.33 absences per student for the semester or 12.7% of the class). Almost 70% of the absences, however, were attributed to fewer than half the students in the class. One possible interpretation of this high (but not unusual) absence rate is that students did not need to be in class to complete their work. The looseness of the class structure allowed them to complete their self-directed learning outside of 3rd period each day. There really was not a compelling need for them to be in school. This very thing may have helped to relieve some of the stress that they described as their perpetual school condition.  

Grades  

In a discussion early on, students admitted that grades do not reflect how much they have learned in a class. Although no part of their performance in this class garnered a letter or number grade, students did receive grades at the quarter and semester. After writing a structured reflective document each quarter, they met with me in a conference at which we discussed the rationale for their self-assessment. I listened to their thinking and noted their evidence. Because I wanted to de-emphasize grades as much as possible, in most instances I agreed with their assessment. I raised the grade of one student who had seriously underestimated his contribution to the design and maintenance of the website. In the end, 67% of the students assigned themselves an A, 25% a B, 4% a C, and one student failed (for not turning in the reflection and class evaluation even after a two-month extension). Their justification for their grade ranged from comparisons to others, past grading history in English, personal growth, and a sense of entitlement.  

Course Objectives

When students composed the objectives of the course and presented them to the class for approval, they spent time arguing if the chief purpose of the curriculum was “to motivate students to take responsibility for their own education” or “to demonstrate an improved understanding of British Literature.” They determined that the former was the loftier and worthier goal. The means to achieving that goal would be the study of British literature. This deduction signified their interest in making the process of learning, not the content, the central aim of the class for themselves as well as for future students.

Outside assessors agreed. They noted that students seemed to have a good grasp of the curriculum and they presented it articulately, but that the process of becoming an independent learner was the greatest lesson of the class. Students had created a short “response form” for their guests to complete during the final presentation of the curriculum. Guests also communicated to me after the presentation their impressions of the students’ work.  

In general, the expert-guests commented that “…students who took this course have become self-directed learners.” The organization and method of presentation (using presentation software, entertaining audience questions, requiring varied student participation) were appreciated. When asked if the curriculum met its goal, several guests commented that only the students could answer that question. One guest even stated that she had recommended the website to another school contemplating a British literature course and that she herself was using the students’ work on the website in her own sophomore English class. Students expressed a strong feeling of validation from making the presentation, especially those who took major roles in preparing and delivering the presentation.

The final product showed depth of understanding of the content of the course as well as a high interest in continuous learning. One student (who chose to continue his study of British literature in a second semester independent study with the instructor) put it this way:

I have learned some things about myself from this class in the last few weeks. I learned that taking initiative to help a task such as a group project is a rewarding experience. I am referring to the extra time that I spent at the public library and on the Internet doing research and finding a plethora of information while doing so. I also did something that I feel is unique. In Aldous Huxley, I found an author that I can say I actually enjoyed reading. This has never happened to me before… Looking at this, I can honestly say that this class has motivated me to be more of an independent student and has brought the “love,” or whatever you would like to call it, to me, something I never felt would happen…. I want you to know that I have found a new passion for a skill that once drove me crazy, reading.

As a matter of fact, three students requested a second semester of the class, and I accepted two plans. One student is currently studying 19th and 20th century British novels; the other is continuing his survey of British literature.

 

Recommendations

Because the purpose of this class was to design a living curriculum, the greatest indicator of success will be how the course plays out next year using this student-designed curriculum. All the students in this class have supplied me with their email addresses so that students next year can be in contact with them. The research will continue!

All students in the class agreed that the first weeks of the semester when they were floundering were painful. Although they professed their love for freedom, they needed assistance in dealing with it. They were unprepared (through no fault of their own) to make decisions, to take hold of their own learning, or to organize themselves into productive teams. Student leaders did arise each day, but students found it difficult to follow anyone but the teacher. And, in this case, the teacher was not playing the “game” of school in a way they understood. When this class is taught next year, I will definitely need to begin with more structure as I ease them into taking ownership of their learning. They will also need assistance in how to organize themselves and make decisions as a group. As much as they do “groupwork” in school, students are usually in competition with each other. Requiring them to cooperate as a team is a learned skill that must be taught.

Improved accountability is one area of the curriculum that remains to be addressed. Students felt a great sense of freedom, but conferences with them revealed that they did not trust their classmates’ ability to use their time wisely. Students were quick to note that other students were not working on English during their class time, that other students were unproductive, and that individually they were doing more than their share of the work. Although students raised concerns about accountability and grading, the class chose not to devise a system to address those issues. Instead, students assigned that task to the instructor who would be teaching this class next year. It was easier to abnegate to the teacher their opportunity to address this thorny issue.

One problem loomed greater than any other. It was even mentioned by students who rated the class high: the need to balance the choices and freedom with structure and accountability. Interviews with students revealed that each individual had a personal concept of what that meant. Some thrived with the freedom, others faltered. It appears that the greatest asset of this class was also its greatest liability. When I pointed out to students that they could impose their own structures and standards for their performances, they balked. As one student said, “If it doesn’t come from you (the teacher), it doesn’t seem real.” The familiar system of teacher-directed instruction has taken its toll.

A first-quarter conversation with a student who does not see herself as a particularly strong English student was very telling. This girl had chosen to read and discuss The Taming of the Shrew with another student. She reported that in her self-directed study she had referred to Cliffs Notes, watched a video of the play, listened to it on tape, read it aloud with her father and another classmate, and consulted some criticism. I could tell that she had an appreciation of Shakespeare’s language and themes. She had written a position paper about whether this play should be included in the curriculum. Even with all these learning experiences, none of them teacher-led, she concluded that she had not learned much. When I probed, she admitted she felt that none of this was worth as much as teacher-made assignments because she had directed her own learning.

To break this cycle of conditioning that students have so expertly learned, teachers need to consider the unwritten curriculum. By that I mean that teachers need to question what skills and processes (as well as content) they are requiring students to learn. Just as we have helped students to learn things such as neatness, punctuality, and responsibility, teachers have unwittingly taught students to become passive, dependent, and competitive. Constructivism by its very nature places the meaning-making of learning where it belongs, with the students. Teachers need to provide more opportunities for students to accept that responsibility. By the final year of high school many students, like this one, are ready to accept that responsibility:

It was an uphill battle at the beginning and the newness of it all was shocking. But I am now proud to say that I have won. I am no longer a passive learner who does the work just to please the teacher. I take more risks with my learning to gain personal satisfaction from my education. In retrospect, I am embarrassed of my former willingness to let others control my knowledge. Now I take pride in being able to take responsibility for my own learning.

The curriculum that this year’s British Literature class created will be used with next year’s class. The structure that this year’s class yearned for has been written into next year’s curriculum and can be detected on the website. The content of the curriculum will continue to develop as more students experience the class. In fact, the two students who are extending the class through independent study are still expanding the website.

As I continue to conduct my action research next year, this class will offer more evidence of how a constructivist approach will enhance the learning experience for students and help them to achieve the ultimate goal of becoming self-directed learners. The students in this British Literature class said it best when they created the objectives for the class:

“The underlying purpose of this class is to motivate students to take responsibility for their own education. This will be achieved by:

·     demonstrating an improved understanding of British Literature,

·     developing an ability to express thoughts clearly and concisely, and

·     fulfilling personal goals through prudent self direction and collaborative group work” (Senese 2000).

Given an opportunity to seize control of their own learning, many students in the British Literature class at Highland Park High School rose to the occasion. Future research challenges me to discover how I can help all of them to do that.  

References

Brooks, J. G. and M. G. Brooks. (1993). The case for constructivist classrooms. Alexandria, VA: Association for Supervision and Curriculum Development.

Caine, R.N., and G. Caine. (1997a). Education on the edge of possibility. Alexandria, VA: ASCD.

Caine, R.N., and G. Caine (1997b). Unleashing the power of perceptual change: The Potential of Brain-based Teaching. Alexandria, VA: ASCD.

Prose, F. (1999 September). “I know why the caged bird cannot read: How American high school students learn to loathe literature.” Harper’s Magazine. 76-84.

Senese, J. (2000). British literature, Highland Park High School. <http://d113.lake.k12.il. us/hphs/curriculum/senese/index.html> .

 

British Literature
Senese
September 10, 1999

 

EXPECTATIONS

 

Respect/common courtesy

We decided that the most important thing is to obey the golden rule. Treat others as you want to be treated. Basically listen to all ideas and give everything a chance. Don’t laugh at what people say; try to make everyone feel welcome and comfortable.

 

Honesty

This means that you do not copy off anyone else’s work regardless of how bad you might do. Asking another student for assistance/critique of his/her writing is fine, but the work which you hand in must be yours and only yours. This also includes plagiarism. In addition, students should be honest with each other. Students are expected to express what they really think instead of just saying what they think is “correct” or popular.

 

Contributions to the group

·        All students are expected to contribute at least a few comments of ideas to the group.

·         Students are also to limit themselves from dominating the conversations, thus preventing others from participating.

·         Just as importantly as contributing it is necessary to listen attentively to suppress repetition of ideas and promoting more dynamic discussion.

·         It is common courtesy to withhold from small chatter while someone else is talking, thus distracting the speaker.

 

Listen to peers

While listening to others one must do the following: do not raise hands; no not talk; do not get up and go to the bathroom.

 

Smaller group discussions

To have discussions and debates in small groups so that it is easier and less intimidating for everyone to talk.

 

Feedback

Feedback is not only a novelty in this class but actually a necessity. As a class with a relatively undefined curriculum, it is absolutely integral that feedback is exchanged between student and teacher. We should be able to feel confident that feedback is valid and valuable and should not be shirked because of shyness, etc. In order to facilitate this feedback exchange, we must all feel that our feedback will be received in an impersonal, unbiased manner.

 

Growth as an English student

We all want to grow as English students. In order to do that we need comments, constructive criticism, extra help if needed, and peer encouragement and support. We want to grow in order to feel prepared for college.

 

Time to meet outside of class (appointment with secretary)

Mr. Senese is often in meetings due to his job as an Assistant Principal but is always willing to meet with students. To make an appointment to see him, see Ms. Santiago in A-209 (Assistant Principals’ Office).

   

Flexibility

Whenever students ask for extra time, there should be flexibility with due dates. Also overall assignments should be flexible and allow for individual interpretation. Students should be flexible with whom they work and avoid working with their close friends.  

 

Prompt returns on work

This is the obligation of the teacher. Provided that the students complete their work in a timely fashion, they should receive it back from the teacher as promptly as possible.

 

Grades

Quarter and semester grades will be based on each student’s growth in demonstrating an understanding of British Literature, in developing the ability to write clearly and concisely, and in applying skills that contribute to a quality final class product. A grade each quarter will be negotiated in a conference that will review the student’s work and progress. Therefore, each student will be responsible for collecting evidence that shows development in these areas and will be able to articulate that personal and group development.

 

Peer review

If a paper is assigned, we should take in-class time to meet in small groups to analyze and discuss student work. In this session we would provide feedback and comments.

 

Clear communication

When we have an assignment, there should be no questions about what it is, because we’ll go over it thoroughly in class. If you don’t follow something, ask about it.

 

Breakdown of due dates

Instead of having one due date for the final project, projects will have multiple due dates,(outline, biblio, etc.).  

 

Work equally divided

For group things everyone has to do work. No one should do someone’s work for them, but help is allowed.  

 

Planning ahead

You should plan ahead on assignments and due dates so that you are prepared for due dates.

 

Follow through

Follow through is an imperative expectation. Out of respect for your work as well as the community’s, assigned work must be finished at the proper time. If an individual is struggling with her or his task, it is preferable that we help them through that task. We should take responsibility for each other as well as ourselves. However, if the assignment is not completed, then disciplinary actions of some degree should be taken. At this point, they are not yet determined.

 

Clear focus

Know what you are supposed to be doing and working on that thing to the best of your ability.

 

Raising hands

If having a nice discussion, raising hands is not completely needed. But if the discussion becomes out of hand, then raising hands will be needed. It all depends on how the situation or conversation is and how it is going.

 

Bathroom at appropriate times

Students do not have to raise their hands and ask to go to the bathroom but they must use discretion and try to leave at appropriate times.  

 

Tardy

A person is allowed to enter the classroom any time before the bell. If a person enters at a time after that point that the class/teacher feels is disruptive, they will receive a tardy. Disruptive can be determined/decided with the class and Mr. Senese’s discretion. Mr. Senese promises that good communication with him and with your classmates is the best policy.

Top

 

For more information about the Action Research Laboratory, contact

 

Joseph Senese
Assistant Principal
Highland Park High School
433 Vine Avenue
Highland Park IL 60035
 

or at <jsenese@d113.lake.k12.il.us>